Home / Instruments /Accessories / Ordering / Tips

archtop.com


1988 Guild Stuart X-500

Status: Pricing and hold status for all instruments currently available is shown on our Instruments page here. If this instrument does not appear on the Instruments page it has been sold, and is no longer available. Photos and descriptions of Previously Sold instruments may by found here. To be notified of examples of this model or similar instruments in the future, please contact [email protected],. Please be specific on which instrument(s) you're looking for, and we'll be happy to contact you as soon as they become available.

Serial #: JB100280, Westerly, RI label

Body size at lower bout:17" Scale length: 24 3/4" Nut width: 1 10/16"

Materials: Solid 5 piece maple neck; arched Sitka spruce top; arched tiger flame maple back, sides and neck; solid ebony fingerboard with mother of pearl/abalone V-block inlay; G-logo peghead inlay; 8-ply body binding, 5 ply fingerboard binding, triple bound headstock and f-holes, bone nut.

Hardware: 100% original gold hardware, including twin Guild HB-1 humbucking pickups; engraved harp tailpiece; Grover Rotomatic tuners; compensated ebony bridge; beveled art deco stairstep pickguard; volume and tone controls; master volume control; 3 way pickup selector switch; adjustable truss rod.

Notes: Introduced in 1953, the Guild Stuart X-500 remained the top of the Guild electric line for over four decades, and incorporates design features from a number of its ultra-premium competitors. Like the Gibson ES-350 and Tal Farlow models, the Stuart X-500 features a 17" Venetian cutaway laminate body, mounted pickups and controls, deluxe multiply binding and gold hardware throughout. From Epiphone's Emperor, the X-500 adapted the abalone/pearl V-block fingerboard inlay. And another New Yorker, named D'Angelico, supplied inspiration for the art-deco stairstep pickguard as well.

In 1963, the X-500 model was equipped with humbucking pickups, and a master volume control appeared by 1971. This example is a product of the Rhode Island factory, where Guild enjoyed its greatest years, from 1966 until its closing in 2001. A classic working jazz box, the X-500 has a sleek neck profile and a full-depth highly figured body that is warmly resonant with enhanced feedback resistance.

This fine example of the Stuart X-500 shows handsome fiddleback flame figure in the back and sides, and a solid ebony fingerboard with abalone and pearl split-block inlays. Maintained in exceptionally fine condition, this gleaming guitar sports a subtly shaded sunburst finish, and has been carefully maintained without pick, buckle, thumb or fingerboard wear. The instrument appears free of the finish checking common in most instruments of this vintage, and apart from a few lacquer chips near the neck heel, appears much as it did when it left the Rhode Island factory almost four decades ago.

The gentle D neck profile is sleek and fast, with smooth low action over a solid ebony fingerboard, ideal for the player looking for warm classic tone, but reluctant to wrestle a clubby traditional neck. Truly a best buy in a pro-quality full sized electric archtop: an exceptional find for the working player or weekend warrior alike. Call now.

Setup: This instrument is strung with medium gauge nickel flatwound strings (.012-.054). The guitar will accommodate lighter or heavier gauge strings, according to preference. String action is set at 4/64" to 5/64" at the 12th fret, with moderate relief for acoustic playing with medium strings. The action may be lowered or raised to your requirements with the adjustable bridge.

Case: Original deluxe arched Guild black plush hardshell case.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Home / Instruments /Accessories / Ordering / Tips